While a useful survey of all the different ways in which people have imagined the painter Tom Thomson in the almost a century since his death, this book is decidedly wacky--sometimes in a good way, sometimes not so much. The trouble is, Grace is most intent on showing how every description of a person's life is inherently fictional--which is true; but she then seems to assume that means that, as well as revealing the fictionality of the various biographies, documentary films, and so on that she describes, she is also free to invent her own Tom Thomson. She offers, for instance, a lengthy discussion, based very vaguely on a very few facts, of how Thomson might have actually been a gay man with a secret passion for one of his male friends. And all the while she is spending all those pages working out all the imaginary details of that supposed possibility, she keeps insisting that of course she's really just making it up, which basically made me wonder why she was telling it to me in such lengthy detail anyway. Weird. She also has a lot to say about how the Tom Thomson enshrined in legend is a celebration of a certain kind of female-avoiding masculinity as well as of a certain vision of Canada and the idea of the North, which, on the basis of the limited amount of evidence, isn't all that convincing.